Connection—Gratitude for New Relationships

A couple of weeks ago I completed one of those puzzles on Instagram where actual words were embedded into random letters across and down to form a large square. The game was that the first four words you “see” are what defines your current attitude towards life. My four words were connection, gratitude, strength and care.

As I reflect on this past year, and imagine my direction for 2023, what I deeply feel is gratitude. Since November of 2021 I have picked up four new galleries that are reshaping and reinforcing my art practice in unexpected ways. Each new gallery connection has upheld my belief that there is real substance in the new directions I have taken with my Urban Series. Over the last several years I have recognized and refined interpretations of urban life here in Chattanooga through a birds-eye-view of city streets and structures in conflict with nature. This new work reflects the strength and determination of both humanity and Gaia in a push/pull dance for the dominance of Earth. The emergence of this body of work is getting a lot of interest and appreciation not only by the public but the purveyors of art as well.

Urban Botanical #287 is now available @ Craighead Green Gallery

The newest association is with Craighead Green Gallery located in the heart of the Dallas Texas design district. Kenneth Craighead saw an ad in Asheville Made Magazine with Citron Gallery where Rand Kramer featured my Urban Botanicals—Citron was the first of these four new galleries to represent me in this latest web of connections (the cover of that magazine issue highlighted one of Craighead Green’s artists). Kenneth immediately contacted me and we began a dialogue that lead to a mutual understanding of representation.

Craighead Green Gallery’s Showroom Entrance

One of the many things that I love about Craighead Green is their long-standing reputation both locally and nationally of providing outstanding representation for creators they value. They also showcase a wide variety of contemporary art that reflects all manner of theory mixed with creative form within a large 6,000 square foot space. Craighead Green has been in operation since 1992 which shows not only a true dedication to art but also the business acumen to weather the ups-and-downs of the crazy art market. I couldn’t be in better hands moving forward into the future.

Urban Botanical #288 now available @ Craighead Green Gallery

As this current journey continues to unfold, I would like give some credit to my Instagram profile that I have meticulously built over the last seven years—never underestimate the power of social media. This endeavor has finally paid off with lots of exposure and also gives me the opportunity to keep fellow artists, collectors and galleries up to date on my studio happenings. Yet another form of connection (whether dubious or not) in the art of building an online community. For me, connection = growth not only personally but professionally.

For more information on Craighead Green Gallery check out their website @ www.craigheadgreen.com.

View my Instagram profile @annacarllart

Emergence—New Adventures in Art

Most of us creators have been surprised at how the pandemic has affected the art market. With the collapse of the event industry, we’re seeing a renaissance emerge with brick and mortar gallery’s across the globe. There is still a part of me that feels guilt about the prosperity that the pandemic has brought to me. Even though I’m now busier than ever, I’m still maintaining a mindset of acknowledging and expressing daily, gratitude in a time of loss (I borrow this phrase from a fabulous artist I follow on Instagram, Daryl Burnett—@darylburnett).

At this time and place, I am pleased to announce three new gallery representations. Last fall I joined the Citron Gallery in Asheville, NC—the incredible artist Rand Kramer’s new studio/gallery on Biltmore Avenue. This spring I joined the family of Higher Art Gallery in Traverse City, MI, and this coming Fall, I’ll begin a relationship with Hagan Fine Art in Charleston, SC. I feel right at home with all of these fabulous galleries and hope to maintain a long lasting marriage with them—for that’s what it is, a marriage. Long discussions about what is working and whats not working…coordination of social and work calendars, the general support of each other and finally, the acceptance of our place in the gallery family.

Urban Grid #78 is available @ Citron Gallery. Contact Rand Kramer @ +1-828-785-4131 for pricing.

Visit Citron Gallery in the heart of downtown Asheville, NC with fellow artists, Rand Kramer, Betty Clark, Frances Domingues, Kieta Jackson, Kento Saisho and Kerry Schroder.

Urban Collage #257 pre-sold before arriving at Higher Art Gallery. Contact Shanny Brooke @ +1-231-252-4616 for availability of other Anna Carll pieces.

Shanny Brooke of Higher Art Gallery is a fabulous artist in her own right and a wonderful art dealer committed to representing her gallery family.

I’ll be very busy over the summer designing and creating new work for Hagan Fine Art in Charleston, SC and my long-time gallery relationship with A Gallery Fine Art in Palm Desert, CA. Lisa Dempton has navigated the art market for decades with a rich history and connection to Palm Desert as A Gallery Fine Art has been a family business with deep local relationships in the community. Hagan Fine Art also has a long and deep relationship with Charleston, SC—I’m so looking forward to working with them and getting to know the Charleston art scene.

Urban Grid #88 is available @ A Gallery Fine Art in Palm Desert, CA. Contact Lisa Dempton @ +1-760-346-8885 for pricing.

The time ahead promises to continue to be uncertain with COVID being such a huge part of the global narrative, however, I feel rejuvenated by my internal endeavors in studio work and feel that gratitude in a time of loss every day as I continue to forge ahead with these new relationships.

Be well everyone…I’m sending lots of LOVE out into the world.

All the best,

~Anna Carll

May Momentum

For many years I have considered May to be one of my favorite months of the year. Living in the South for most of my life, this month continues to be one of the prettiest, (April showers bring May flowers) and the weather is still mild before the real heat of Summer. This year my May has brought an abundance of marketing heat in my sister city of Nashville, Tennessee.

Ron York of York & Friends Fine Art really stepped up to the plate for me and initiated a series of events that have brought forth abundance in many ways. It started with an inaugural gallery talk—the first in his gallery—an interview style conversation with Paul Polycarpou of Nashville Arts Magazine. That led to Paul offering me a feature article in the May Issue and Artist of the Week the first week in May on the famous Nashville Sign off of the Broadway and West End split.

BIG really is better...

Erosion Series: Character Botanical #1

The proximity of this sign off of Broadway assures maximum visibility and really shows how serious Nashville is in promoting the arts. Nashville Arts Magazine is one of the best city dedicated art publications I've ever seen even in my graphic design days. I really enjoyed meeting Paul and bringing an intimate art talk to York & Friends Fine Art—which has quickly become like family. Kathleen Boyle wrote a fabulous feature article that focused on my Erosion Series. She asked very deep questions and peppered the interview with whit and humor which made me feel like I've known her for years.

I feel very welcomed in Nashville and have been repeatedly surprised by the depth of the contemporary art market in this fabulous city. Nashville continues to be a wealth of inspiration and vitality throughout all of the arts. If you haven't visited Nashville in a while and experienced the intensity of the arts there, you should add this great city of the South to your bucket list.

Online Nashville Arts Magazine link (My feature article starts on page 72)